KEN FEINGOLD
1952 born,
Pittsburgh, Pennsylvania USA1970-71 attended
Antioch College, Yellow Springs, Ohio1974 B.F.A.
California Institute of the Arts, School of Art; Valencia CA
1976 M.F.A.
California Institute of the Arts, School of Art; Valencia CA
lives in New York City
Exhibitions
and Public Presentations /
Selected Highlights
2022
"2022 Cornell Biennial", Johnson Museum of Art, Cornell University, Ithaca, NY, July-Oct
2019
"WEB-RETRO" at the SeMA, Buk Seoul Museum of Art, Jan-June
2017
“(id)ea,code++,
algorithmic objects” at the Holon Institute of
Technology, July-August
2016"Signal
to Code”, Cornell University Library, March- October 2016
2014International
Triennial of New Media Art”, National Art Museum of China,
Beijing, June-July, 2014
“Ken
Feingold: Figures of Speech: Stolen Voices”;
Gdanska
Galeria Miejska,
Gdansk,
May-July
2013Kiasma
Hits”, Kiasma Museum of Contemporary Art, Helsinki; Sept
2013–Sept 2014
2012VIDA
1999-2012”, Espacio Fundación Telefónica, Madrid;
May 2012-Jan 2013
2010Mediations
Biennial”,
National
Museum and “Zamek” Culture Centre, Poznań, Poland,
Sept–Oct
2009IMAGINING
MEDIA@ZKM”,
ZKM
| Media Museum, Karlsruhe, Oct 2009 through DecemberVoir/Revoir”,
Centre Georges Pompidou, Paris, September
2008
"Tangled
Up in You", 21c Museum Foundation, Louisville;
February-September
Beyond Stereotypes”, Neuer Aachener Kunstverein (NAK),
Aachen; March–April
Lúdico-Mordaz”,MADC Museo de Arte y Diseño Contemporáneo, San Jose,
Costa Rica; April-May
2007
La Casa Encendida, Madrid; "Miradas Cruzadas: Cine y antropología";
October
Műscarnok /Kunsthalle, Budapest; "Kempelen -
Man in the Machine" at Mar 24 - May 28
ZKM | Center for
Art and Media, Karlsruhe "Kempelen - Man in the Machine"
June 23 - Sep 2
2006
Mejan Labs, Stockholm, “Ken Feingold” Nov – Dec
Museum of Modern Art, TOMORROWLAND: CalArts in Moving Pictures
Ace Gallery, Los Angeles, Kenneth Feingold: Survey (mid-career survey)
2005
Ace Gallery, Los Angeles, Kenneth Feingold: Survey (mid-career survey)
National
Museum of Art, Wroclaw, “The Other Book”, May 2005
ZKM Karlsruhe, "Masterpieces of Media Art from the ZKM Collection", through January 2007
2004
Grossman
Gallery, School of the Museum of Fine Arts, Boston; Sept 10 –
OctKiasma
Museum of Contemporary Art, Helsinki; "Love Me or Leave
Me"; April 2004 - Feb 2005
OÖ
Landesmuseen Linz, "Reihe Video Kunst 'videophantastik' ",
June 2004
Tate
Liverpool, “Art, Lies, and Videotape: Exposing Performance”,
Nov – Jan 2004
Ace
Gallery, Los Angeles; “Invitational”
2003
Tate Liverpool, “Art, Lies, and Videotape: Exposing Performance”,
Nov – Jan 2004
Berkeley Art Museum, Pacific Film Archive, “Standby: No Technical
Difficulties”; Dec
Postmasters Gallery, New York; “Hot Summer Cool”, June-July
Shrewsbury Museum and Art Gallery, Shropshire, UK; “BitParts”,
March-April
Smart Project Space, “Smart Cinema”; Amsterdam; April
2002
Whitney
Museum of American Art, “2002 Biennial Exhibition”, Mar –
May
Museo de Arte y Diseño Contemporáneo, “Contaminados”;
San Jose, Costa Rica, April-May
Postmasters
Gallery, New York; “Joy and Revolution”, June-July
Itaú
Cultural,
Sao
Paulo,
“exposição
emoção
art.ficial”,
Aug
-
October
Seoul
Museum of Art, “media city seoul 2002”, Sept – Nov
Corcoran
Gallery of Art, Washington D.C, "Fantasy Underfoot", 47th
Corcoran Biennial;
Dec
2002 - March 2003
2001
Postmasters
Gallery, New York, solo exhibition, May - June
Wilhelm
Lehmbruck Museum, Duisburg, “Under the Skin”, May-June
Neue
Galerie Graz am Landesmuseum Joanneum, Graz
“In
the Field of Letters. The Future of Literature”, Oct - Nov 2001
J.
Paul Getty Museum, Los Angeles, “Devices of Wonder”, Nov
2001 – Feb 2002
2000
Kiasma
Museum of Contemporary Art, Helsinki; “Alien Intelligence”,
Feb-May
Arsenal,
Berlin; “The Skin of the Film”; June
Kapelica
Gallery, Ljubljana; “Cyborg I”; June
MTN
Art Institute, Johannesburg; “Urban Futures”; July
Beall
Center for Art & Technology,UC Irvine; “SHIFT-CTRL:
Computers, Games & Art” Oct-Dec
The
Museum of Modern Art, NY; “Video Time”; Oct – Feb
2001
1999
Postmasters
Gallery, New York; solo exhibition; Feb-March
Goethe
Institute Singapore; March
Museo
Universitario Contempránero de Arte, Mexico; “Dark
Room”, March-April
Lasipalatsi
Film and Media Centre, Helsinki; April-May
Pacific
Film Archive, Berkeley; September
ZKM
Center for Art and Media, Karlsruhe, “net_condition”;
Sept-Jan 2000
1998
Kunsthalle
Düsseldorf, “Glut/Fest” February
David
Zwirner Gallery, New York, “Video Library”; March-April
Recontres
Arts Electroniques, Rennes; April
ZKM
Center for Art and Media, Karlsruhe, “SurroGate”,
November-December
National
Museum of Contemporary Art, Seoul, “Visual Extension - Fantasy
and Reality” December 1998–Jan 1999
1997
Museum
of Modern Art, New York; “Technology in the Nineties”
series; April
Wilhelm
Lehmbruck Museum Duisburg, “Interact! Key Works of Interactive
Art”, Ap-Jun
Documenta X, Documenta X, “Beware! In
Playing the Phantom You Become One”, (a video library
conceived by Herman Asselberghs and Johan Grimonprez, installed at
the Centre Pompidou and at Documenta X),Kassel
Postmasters
Gallery, New York, “Password Ferdydurke”,
October-November
InterCommunication
Center, Tokyo, “ICC Biennale ‘97”, October-December
1996
Postmasters
Gallery, New York, “Can You Digit?”, March-April
Centro
de Cultura Contemporània de Barcelona, January
Goethe
Institute, London, Oct-December
Artifices
4”; Saint-Denis, November-December
ZKM-Schaufenster,
Karlsruhe, October
1995
Biennale
de Art Contemporain de Lyon; December 95-Feb 96
Guggenheim
Soho Museum “Artists and the New Technologies”, October
Interactive
Media Festival, Los Angeles, June
Mary
Anthony Galleries, New York, "Synesthesia", March-May
Viper
Festival, Lucerne, Switzerland, October
1994
San
Francisco Cinematheque, May
Interactive
Media Festival, Los Angeles, June
Bonn
Kunstverein; Bonn Videonalle, October
Cologne
Art Fair, November
"People
in Cyberspace", T-ARt Festival, Enschede, Netherlands, November
1993
The
Museum of Modern Art, NY; "Between Word and Image",
April-May 93
Institut
Valencia d’Art Modern (IVAM), Valencia, Spain; "Demontage:
Film, Video / Appropriation, Recycling" March (travels Spain,
Portugal, Holland)
WDR
(national tv broadcast), Germany; "Ken Feingold's Un Chien
Délicieux"
Gallery
Puskinskaya 10-10, Saint Petersburg; American Avant-Garde Film and
Video Programs; June 1993
International
Center of Photography, NY; "Iterations"; October '93-Feb
'94
1992
Galerie
René Coelho / MonteVideo; Amsterdam, March, solo exhibition
OTSO Gallery, Helsinki; Exhibition of the Interactive Art, April
ZKM Center for Art and Media, Karslruhe, Germany, May-June, "Bitte
Berühren (Please Touch)"
Bonn
Kunstverein, BonnVideonale (winner of Videonale-Preis for tape "Un
Chien Délicieux")
Kunsthallen
Brandts Klædefabrik, "Installations: Ken Feingold &
Thiery Kuntzel"; Odense, Denmark
Berlin
Video Festival, February
1991
Simon
Watson Gallery, NY, and The Rennaisance Socity, Chicago, "The
Body"
Museum
of Modern Art, NY; "Fact/Fiction"
Kunsthalle
Dominikannerkirche, "European Media Art Festival",
Osnabrück, Germany
Tibet
Film Festival, "Tibet in Times Square" (video for Sony
"Jumbotron" tv), NYC
L.A.C.E.
Gallery, Los Angeles, "Perception/Misperception"
Stadtmuseum
Graz, “Steirischer Herbst ‘91/ Körper & Körper”,
Graz, Austria
Flaherty
Film Seminar, Aurora, NY
Time
Festival, Ghent
1990
Image
Forum, Tokyo; Festival of Experimental Film & Video, "The
Work of Ken Feingold"
Nagoya
City Art Museum, Nagoya, Japan "Ken Feingold",
Retrospective video screening
Museum
of Modern Art, NY; "Dream"
Museo
Nacional de Bellas Artes, Buenos Aires; "Video Art
Internacional"
Leopold
Hoesch Museum, Duren, Germany; "Paper as Knowledge"
Visual
Studies Workshop, “NO-TV & Movies”, Rochester, NY
1989
Whitney
Museum of American Art 1989 Biennial Exhibition (travels)
National
Gallery of Canada
Whitney
Museum of American Art, "Image World: Meta-Media"
The
Kijkhuis, World Wide Video Festival, The Hague
American
Museum of the Moving Image, NY, "Video as Language"
Museum
of Modern Art, NY "Contemporary Art in Context"
The
Asia Society, NY, "Installations"
Newport
Harbor Art Museum, California "Skeptical Beliefs"
Fukui
Fine Arts Museum, "International Biennale", Fukui, Japan
Long
Beach Museum of Art, California
The
Kitchen, New York
Artspace,
Auckland
Wellington
City Art Gallery, Wellington , NZ
Honolulu
Academy of Arts, Honolulu
The
Kijkhuis, World Wide Video Festival, The Hague
1987
Centre
Georges Pompidou, Paris; Tenth Anniversary Exhibition: "l'epoque,
la mode, la morale, la passion"
The
Institute of Contemporary Art, Boston
Aarhus
Museum of Art, Aarhus Video Festival '87, Aarhus
Festival
International du Nouveau Cinema et de la Video, Montreal
L.A.C.E.
Gallery, Los Angeles
Robert
Flaherty Festival, Aurora, NY
The
Australian Video Festival, Paddington
Infermental
IV, Cross-Cultural Television, Koln, travels
Renaissance
Society, Skeptical Beliefs, Chicago
3rd International Biennial Video CD '87, Ljubljana
Filmer
a Tout Prix, Brussels
1986
Netherlands
Theater Institute, Theater Tape Festival, AmsterdamStedelijk
Museum, Amsterdam
L.A.C.E.
Gallery, Los Angeles
The
Kitchen, New York
The
Kijkhuis, WorldWide Video Festival, The Hague
MonteVideo,
Amsterdam
Videonale
'86, Bonn
New
Langton Arts, San Francisco
1985
The
New Museum of Contemporary Art, New York, "Signs"
The
Museum of Modern Art, NY "Video Viewpoints: Ken Feingold"
The
Whitney Museum 1985 Biennial Exhibition, NY
The
American Center, Paris
Institute
for Art and Urban Resources (P.S.1), NY
WGBH
TV, Boston
1st International Video Week, Geneva
The
American Film Institute, Fifth National Video Festival, Los Angeles
Institute
of Contemporary Art, Boston
Medium
West Gallery, Minneapolis
The
Kijkhuis, World Wide Video Festival, The Hague
Visual
Studies Workshop, Rochester, NY
School
of the Art Institute of Chicago
L.A.C.E., Los Angeles
Eindhoven
Museum, EindhovenMonteVideo,
Amsterdam
Talking
Back to the Media Festival, Amsterdam
1984
Video
Rio / Centro Cultural Candido Mendes, Rio de Janeiro
Museo
Palazzo Fortuny, Venice
Galleria
d'Arte Moderna, Bologna, "L'Immagine Elettronica"
The
Institute of Contemporary Art, Boston
Long
Beach Museum of Art, California
The
Arsenal, Berlin
Berlin
Film Festival
MonteVideo,
Amsterdam
The
Kitchen, New York
1983
The
Whitney Museum of American Art, Biennial Exhibition (travels)
Anthology
Film Archives, New York
Walker
Art Center, Minneapolis
The
Kitchen, NY
Video
Free America, San Francisco
L.A.C.E., Los Angeles
International
Festival of New Cinema, Montreal
1974
- 1982 Highlights
San
Francisco Art Institute; “The Hard Core”, 1982
Film
in the Cities, St.Paul 1980
The
American Center, Paris, “Recent American Video”, 1980
Hallwalls,
“Installations/Plans”, May1980
University
Art Museum, Berkeley, 1980
Whitney
Museum, Solo Exhibition (Video Installation) 1979; films in
exhibitions “Text and Image” 1975, and “Stills”
1976
Artists'
Space, New York, Project Space Exhibition, 1979
Walker
Art Center, Minneapolis, Retrospective Film Screening, 1978
Claire
S. Copley Gallery, Los Angeles, Solo Exhibition 1975
The
Kitchen, New York, 1977
Long
Beach Museum of Art, "Southland Video Anthology", 1975
University
of California, Irvine, Art Gallery, 1975
University
of California, Santa Barbara, “Visual/Verbal”, 1975
Millennium,
New York, Solo Film Exhibition, 1974
Fellowships / Grants/ Co-productions / Commissions
2010 Pollock-Krasner Foundation
2004 John Simon Guggenheim Memorial Foundation Fellowship
2003 Rockefeller Foundation Media Arts Fellowship
2002 FACT (Foundation for Art & Creative Technology), Liverpool
1999 Kiasma Museum of Contemporary Art, Helsinki
1998 Center for Art and Media Technology (ZKM) Karlsruhe and i3Net (The European Network for Intelligent Information Interfaces)
1997 ICC Biennale, Tokyo
1991 New York State Council on the Arts
1988 US/Japan Friendship Commission and NEA; Creative Artists Exchange Program
1988 National Endowment for the Arts
1988 New York Foundation for the Arts
1987 The Jerome Foundation
1987 The Checkerboard Foundation
1986 The Bush Foundation Fellowship for Artists, St. Paul
1986 Film in the Cities
1985 The Contemporary Art Television Fund; ICA, Boston
1985 New York State Council on the Arts
1984 The McKnight Foundation Fellowship for Artists
1982 The Andrew Mellon Foundation/ Minneapolis College of Art & Design
1981 National Endowment for the Arts
1981 Film in the Cities
1979 National Endowment for the Arts
Awards2000
Fundación Telefónica; Vida 3.0 (Life 3.0), Madrid
1996
DNP Internet ‘97 Interactive Award; Dai Nippon Printing, Tokyo1996
Prix Ars Electronica, honorable mention
Interactive Art
1992
Videonale-Preis; Bonn Videonalle
Collections(Institutions)Art
Center, PasadenaBonn
KunstvereinCarnegie
Mellon University
Centre
Georges Pompidou, ParisETH
Zurich
Hamburger
Kunsthalle, Hamburg
Institute
of Contemporary Art, Boston
Kiasma
Museum of Contemporary Art, Helsinki
Kunst
und Ausstellungshalle der Budesrepublik Deutschland, Bonn
Long
Beach Museum of Art, Long Beach
McGill
University Library
Minneapolis
College of Art & Design Video Archive
Museo
de Arte y Diseño Contemporáneo, San Jose, Costa Rica
Museo
Palazzo Fortuny, Venice
The
Museum of Modern Art, New York
Nagoya
City Art Museum, Nagoya
National
Gallery of Canada
National
Library of Australia
New
York Public Library
New
York University, Bobst Library
Rotterdam
Public Library
University
of Alabama
University
of Maryland
University
of Stockholm Library
Zentrum
für Kunst und Medientechnologie (ZKM), Karlsruhe
Teaching Experience
1977-85 Minneapolis
College of Art & Design Associate Professor of Fine Art
1980/81 San
Francisco Art Institute, Guest Faculty
1989-94 Princeton
University, Visual Arts Program, Special Lecturer in Visual Art
and Council on the Humanities
1990-91 Hunter
College, Film and Theater Dept. Guest Associate Professor
1993-94
Cooper Union for the Advancement of Art and Science, School of Art; Adjunct Assoc. Professor
1993-1998 School
of Visual Arts, New York, MFA Photography and MFA Computer Art
Programs, Faculty
Visiting Artist talks, workshops, critiques at Harvard University, Brown
University, Ithaca College, Art Center College of Art & Design,
Cal Arts, Art Institute of Chicago, Columbia University, Bard College, The Royal University College of Fine Arts Stockholm
Monographs
on the work of Ken Feingold
Ken Feingold:
Figures of Speech. ed.Ryszard
W. Kluszczyński,
CSW Laznia, 2014
Ken Feingold Selected Works 1978 – 2007; essays by Matthew Biro, Ken Feingold, Erkki Huhtamo, David James, Robert Riley; Ken Feingold Studio, New York, 2012
Selected Bibliography on the Work of Ken Fengold
Technics Improvised: Activating Touch in Global Media Art, Timothy Conway Murray, University Of Minnesota Press, 2022
Digital Art, Aesthetic Creation; The Birth of a Medium, Paul Crowther; Routledge, 2019
Language Art in the Age of Panophonia MATLIT: Materialities of Literature, [S.l.], v. 6, n. 2, p. 87-98, aug. 2018. ISSN 2182-8830
Here/There: Telepresence, Touch, and Art at the Interface; Kris Paulsen, MIT Press, 2017
Emergence in Interactive Art; Jennifer Seevinck; Springer International Publishing, 2017
Interactive
Digital Art, Penesta
Dika, Logos Verlag Berlin, 2017
On-line/Off-line: Between Text and Experience: Writing as a Lifestyle; J. Pluciennik & P. Gardenfors (eds.), Jagiellonian University Press, 2016; "From an E-narrative Poem towards an Interactive Work of Art. Media Convergence Illustrated with DOWN by Zenon Fajfer and The Surprising Spiral by Ken Feingold", Bodzioch-Bryla, B.
History
of Philosophy in Art,
Kwang-rae Lee, Mimesis Co., 2016
Alternative
Projections: Experimental Film in Los Angeles, 1945-1980,
ed David James, Adam Hyman, John Libbey Publishing Ltd., 2015
Johns Hopkins Guide to Digital Media, M. Ryan, L. Emerson, B. Robertson, eds.; "Chatterbots", Ragnhild Tronstad; Johns Hopkings University Press, 2014
Channels
of Ventriloquism in New Media Artworks,
Victoria Bradbury, CITAR Journal, Vol 6, No.1, 2014
The
Work of Authorship,
ed. Mireille van Eechoud, Amsterdam University Press, 2014
Performing
Beauty in Participatory Art and Culture,
Heinrich Falk, Routledge 2014
A
Theory of Adaptation,
Linda Hutcheon, Routledge 2012
Digital
Art and Meaning,
Roberto Simanowski, Univ. of Minnesota Press, 2011
Interactive
Storytelling,
Ruth Aylett et al, Springer Science and Business Media 2011Art
+ Science Now,
Stephen Wilson,Thames and Hudson, 2010
Beyond
Mediations,
Ryszard W. Kluszczyński, “Zamek” Culture Centre
Publications, 2010
Art Investigating Science: Critical Art as a Meta-discourse of Science,
Maciej Ozog, in Cognition and Creativity: Digital Arts and Culture, University of California Irvine, 2009
Modes
of Spectating, ed. Allison Oddey, Christine A. White, Intellect Ltd.
2009
Art and Electronic Media, Edward Shanken, Phaidon Press, London 2009
Sculpture Today, Judith Collins, Phaidon Press, London 2008
Media Art Histories, Oliver Grau, ed. (essay by Erkki Huhtamo), MIT Press 2007
Kempelen - Man in the Machine, M?scarnok /Kunsthalle, Budapest and ZKM, Karlsruhe 2007
New Philosophy for New Media, Hansen, Mark B.N.; MIT Press Cambridge 2004
Digital Currents: Art in the Electronic Age, Margot Lovejoy, Routledge, London/ New York 2004
Closed Circuit Videoinstallationen, Kacunko, Slavko; Logos Verlag Berlin 2004
Rakastaa, Ei Rakasta (Love Me or Leave Me), Sakari, M., others; Kiasma Museum of Contemporary Art, Helsinki 2004
Internet Art, Rachel Greene; Thames and Hudson, London 2004
Understanding Art, Lois Fichner-Rathus; Thomson Wadsworth, Belmont, CA 2004
Art, Lies, and Videotape : Exposing Performance, Adrian George, ed; Tate Liverpool 2003
Video Art, Michael Rush; Thames and Hudson, London 2003
Atomic Time: Pure Science and Seduction, Jonathan P. Binstock; Corcoran Gallery of Art, Washington D.C. October 2003
Digital Art, Christiane Paul; Thames and Hudson, London 2003
Affect as medium, or the 'digital-facial-image', Mark B.N. Hansen, Journal of Visual Culture, Vol.2 No.2 August 2003, London
The 47th Corcoran Biennial: Fantasy Underfoot, Jonathan P. Binstock, essay by Matthew Biro; Corcoran Gallery of Art, Washington D.C. December 2002
Screen Savers, Carly Berwick; Art News, September 2002
media city Seoul 2002, ed. Wonil Rhee, Seoul Museum of Art, Sept. 2002
Reviews: Whitney Biennial 2002, Michael Wilson; frieze, no.68 June/July/Aug 2002
Multiple Voice, Bob Nickas; Artforum, May 2002
A New York, Biennale Outre-Tours, Libération, Paris; 14 March 2002
Biennal I sargad stad, Norra Västerbotten, Skellefteå, Sweden; 13 March 2002
Gentech-Ästhetik, Sven Drühl, Kunstforum International, Jan-March 2002
Pasada en Limpio, Ana Tiscornia, Brecha (Uruguay) Nº 850- 15 March 2002
As American as Jambalaya: Whitney Biennial Displays the Variety That Defies National Stereotyping, Blake Gopnik, Washington Post Thursday, March 7, 2002
New Screen Media: Cinema/Art/Narrative, ed. Martin Rieser and Andrea Zapp; British Film Institute, London 2001 (book and DVD)
Information Arts: Intersections of Art, Science, Technology, S. Wilson, MIT Press, 2001
Devices of Wonder, B.M. Stafford and F. Terpak; Getty Research Institute, 2001
Unter der Haut, Claudia Posca; Kunstforum International, Band 155, Juni – Juli 2001
Under the Skin/ Unter der Haut, ed. R.Heidt-Heller; Hatje Cantz Verlag 2001
net_condition: art and global media, ed. P. Weibel and T. Druckrey; MIT Press 2001
Vida Artificial, R. Bosca and S. Caldana; Ciberpais (El Pais), Madrid, No. 8, Feb 2001
Presence, Absence, and Knowledge in Telerobotic Art, Machiko Kusahara, published in The Robot in the Garden, ed. Ken Goldberg, MIT Press, Cambridge 2000
New Media in Late 20th-Century Art, Michael Rush, Thames and Hudson, London 1999
Art in Review : Ken Feingold, Ken Johnson, New York Times; February 26, 1999
Art on Robotics, Toshiharu Itoh, InterCommunication 28, Tokyo; Spring 1999
Faux Documentary and the Memory of Realism, Allen Feldman, American Anthropologist, Vol. 100. No. 2, June 1998
Media Art History, Hans-Peter Schwarz; Center for Art and Media Technology (ZKM) Media Museum and Prestel, Karlsruhe 1997
Between Modernism and Conceptual Art, Robert C. Morgan, McFarland & Co., 1997
Graphis Web Design Now, Coupland, K.; Graphis Press, New York; 1997
Hardware Software Artware, ed. Center for Art and Media Technology (ZKM) Institut for Visual Media Karlsruhe and Cantz Verlag, 1997
ICC Biennale ‘97, exhibition catalog; NTT InterCommunication Center, Tokyo, 1997
Was is dat?, Christiane Fricke, Kunstforum International, no. 137, June-August 1997
Pionere Interaktiver Kunst, Söke Dinkla, Karlsruhe and Cantz Verlag, 1997
Interact! Schlüsselwerke Interaktiver Kunst, Söke Dinkla, Wilhelm Lehmbruck Museum Duisburg and Cantz Verlag, 1997
SurReal Time Interaction or How to Talk to a Dummy in a Magnetic Mirror?, Erkki Huhtamo, artintact3, Center for Art and Media Technology Karlsruhe (ZKM) and Cantz Verlag, 1996
Immersed in Technology: Art and Virtual Environments; ed. Mary Anne Moser; MIT Press, Cambridge 1996
Moving Images, Robert C. Morgan; Performing Arts Journal; 53,18.2, 1996
3rd Biennale de art contemporain de lyon; ed. Prat, Raspail, Rey; exhibition catalog; Réunion des musées nationaux, Paris 1995
Excavation Area: Ken Feingold, Erkki Huhtamo; Intercommunication 14, Tokyo; Aug 1995
Interactive Media Festival 1995; ed. Timothy Druckrey, Lisa Goldman; exhibition catalog, Los Angeles; June 1995
Galleries-Downtown: “Synaesthesia”, Gérard Nicolas, The New Yorker; 5.1.95
Synaesthesia, ed. Ronnie Cutrone and Mary Nykaza, Mary Anthony Galleries, NY, exhibition catalog, March 1995
Culture on the Brink, Bender and Druckrey, ed.s, M. Morse article "What do Cyborgs Eat?", Dia Art Foundation/ Bay Press, 1994
‘Echte’ of Virtuele Werkelijkheid, Ineke Schwartz, De Volkskrant, Amsterdam, 12.2.94
Pleased to Meet Me, Amy Taubin, Village Voice, New York, Aug. 16, 1994
The History of the Interface in Interactive Art, Söke Dinkla, “MediaScape”, Zagreb; 6.1994
Art and Technology: Iterations, A. Morgan, Art in America, April 1994
Iterations: The New Image, T. Druckrey, editor; Intl Cntr. Photography/ MIT Press, March 1994
Interaktivität stellt neue Herausforderungen an die Entwickler, Söke Dinkla, Horizont Nr.5/94; February 1994
Vom simulierten Dialog zur Simulation des Lebens, Söke Dinkla, Mediagramm, Karlsruhe; January 1994
Animal Identifications, Laura U. Marks; Parachute No.72, November 1993
Subversive Film Festival, Amos Vogel, Cineaste, Vol. XIX No.4, 1993
Interactive Art: Touching the 'Body in the Mind', Regina Cornwell, Discourse 14.2, 1992
Video Art, Piotor Krajewski, Kino, No.7, July 1992, Warsaw
Random Access, Söke Dinkla, MediaGramme; Karlsruhe, Germany, June 1992
New York in Review: "Ken Feingold: 'The Surprising Spiral'", Gretchen Faust, ARTS Magazine, 5.92
Ken Feingold and The Surprising Spiral, C. Ruffert, ARTIST, Bremen, Germany, May 1992
Bitte Behruren (Please Touch), Jeffrey Shaw, ed.; Center for Art and Media Technology, Institute for Visual Media, Karlsruhe, Germany, catalog, May 1992
Exhibition of the Interactive Art, Erkki Huhtamo, ed.; Museum of Contemporary Art / OTSO Gallery, Helsinki, catalog, 4.1992
The Surprising Spiral: Where Sand and Logic Don't Meet, Regina Cornwell; essay/artist's book, Galerie Rene Coelho, Amsterdam 1992
Making Strange, Amy Taubin, Village Voice, 2.18.92
Travel in Strange Worlds, Rainer Wilde, Neue Osnabrücker Zeitung, Sept 5.91, Osnabrück, Germany
Artbacteria Swarm on the Mediamile, Jurgen Klaus, NRZ, Germany
Computers Help Truth-Seekers, Dietrich Kuhlbrodt, Frankfurter Rundschau, Germany
En la Frontera Interactiva del Media Art, Erkki Huhtamo, El Guia, November 1991, Barcelona
Illuminating Video, Hall and Pfifer, eds; M. Morse article, 1991
A History of Video Installations, Nakajima Takashi, Image Forum Magazine, May 1990, Tokyo
Image World: Meta-Media, J. Hanhardt, L. Phillips, M. Heiferman, Whitney Museum Exhibition Catalog, November 1989-Jan 1990
1989 Biennial Exhibition, Whitney Museum Exhibition Catalog; Essay by John G. Hanhardt, NY
WorldWide Video Festival; Simon Biggs, Mediamatic, Dec 88, Amsterdam
Media Art in Review, Limbo Magazine No.2, Autumn 88, Tokyo
Reclamations, Simon Biggs; Mediamatic, Vol 2. No.2, Nov 87, Amsterdam
Dissonant Landscapes, Bob Riley, Institute of Contemporary Art Exhibition Catalog, Nov 87, Boston
Met installaties meer zintuigen inschakelen, Erik Quint, Haagsche Courant, 11 Sept 87, The Hague
Het Kijkhuis World Wide Video Festival Catalog; The Hague, Sept 87
Video Art: An Historical Sketch Christine Tamblyn, High Performance, Vol. 10 No.1, June 1987
l'epoque, la mode, la morale, la passion, Centre Georges Pompidou, Exhibition Catalog, May 1987, Paris
Videonale 86 Exhibition Catalog, Sept 86, Bonn
Het Kijkhuis World Wide Video Festival Catalog Sept 86, The Hague
Resolution: A Critique of Video Art, Exhibition Catalog,ed. Patti Podesta, including articles by A. Taubin, L. Relyea; Los Angeles Contemporary Exhibitions, May 1986, Los Angeles
Video: Ken Feingold, Michael Nash; High Performance, Vol9 No.1, May 1986, Los Angeles
Irony (The Abyss of Speech), Gary Reynolds, Vinyl (Minneapolis), 12.85
Talking Back to the Media, Festival Exhibition Catalog, Nov 85, Amsterdam
ICA Screenings show bridge between video art, television, Shawn McGivern, Boston Globe, Nov 15 85, Boston
Featured Screenings Catalog, American Film Institute, Sept 85, Los Angeles
Featured Screenings (Premieres of New Work), AFI National Video Festival; Corrine Kenner, L.A. Weekly, Sept.13, 1985
C.A.T. Fund: Video Art Catalyst?, Deborah Goldan, The Independent, July 85, New York
At the Whitney Biennial / Good Morning America, Charles Hagen, Artforum; Summer 85, New York
Art: "Signs" Exhibition at the New Museum, Michael Brenson, The New York Times, May 17, 1985, New York
Les Videos Extremes de Ken Feingold, Dorothee Lalane; Liberation, May 6, 1985, Paris
1985 Biennial Exhibition, Whitney Museum of American Art, Catalog
Video Works from the "Public Domain", Robert L. Pincus; Los Angeles Times, 2.3.85
Engaging Public Television, David James, Artweek, February 85, Los Angeles
Public Domain: 14 Video Artists Catalog, L.A.C.E., January 85, Los Angeles
Signal Approach, Christina Ritchie; The Funnel, Exhibition Catalog, Jan 85, Toronto
Mediated Narratives, Bob Riley, The Institute of Contemporary Art, Exhibition Catalog, November 1984, Boston
Second Video Rio Exhibition Catalog, Centro Cultural Mendes, Oct 84, Rio de Janeiro
The Whitney Biennial: Video, Amy Taubin; Millennium Film Journal #13, 1984, New York
The Electronic Gallery, Diane Hellekson; Minnesota Monthly, August 1984, Minneapolis
From TV to video e Dal video all TV, C. Borelli and A. Muntadas; Galleria d'arte moderna, Feb 84, Bologna
Prime Time: Ken Feingold, Bob Riley; Exhibition Catalog; Institute of Contemporary Art, Jan ‘84, Boston
Cuts and Sketches: "5dim/MIND" by Ken Feingold, Valerie Ellis, Afterimage, January 84, Rochester, NY
Rebel Rouser, J.Hoberman, The Village Voice, Oct 25, 1984, NY
Ken Feingold's "5dim/MIND" and "New Building Under the Water", Amy Taubin, The Kitchen, Oct 83, NY
A Whitney Sampler, Marita Sturken, Afterimage, Oct 83, Rochester
Head Hunting at L.A.C.E., David James, Artweek, Oct 83, Los Angeles
HEADHUNTERS Tim Martin and Patti Podesta, LACE Exhibition Catalog, Sept 83, LA
Museum Pieces: 1983 Whitney Biennial Video Section, Amy Taubin, The Village Voice, May 23, 1983, NY
1983 Biennial Exhibition, Whitney Museum of American Art, Catalog
Golden Age of Video Art, Pat Wadsley and Jill Kirschenbaum; CUE, Jan 18, 1980, New York
Six Films by Ken Feingold David James; Journal of the Los Angeles Institute of Contemporary Art; Number 14, April 1977
Selection of Published Writings by Ken Feingold: Bibliography
“The Sphinx on the Table: Sigmund Freud’s Art Collection and the Development of Psychoanalysis” by Janine Burke (Walker and Co. 2006), reviewed by Ken Feingold in Modern Psychoanalysis Vol 31, No. 2, 2006 pp.317-327
“The Interactive Art Gambit”, Technology in the Nineties/MoMA website: http://www.tech90s.net New York, April 1997; revised and updated in New Screen Media: Cinema/Art/Narrative; ed. Martin Rieser and Andrea Zapp; British Film Institute, London 2001 (book and DVD)
“where I can see my house from here so we are”, Parachute, no.85, Montreal, Jan 1997
“OU: Interactivity as Divination as Vending Machine”, Leonardo Vol 28. No.5, 1995
Interactive Media Festival 1995; ed. Timothy Druckrey, Lisa Goldman; exhibition catalog, Los Angeles;June 1995
"The Soft Accident", ISEA-Online (Internet publication), May 1994
"Childhood/ Hot & Cold Wars (The Appearance of Nature)", Iterations:The New Image, catalog essay, MIT Press and International Center of Photography, NY 1994
"The Magnetic Mirror", Cameraworks, Spring/Summer '93; San Francisco
"Trouble in Truthsville", Felix, No.2; Spring '92; New York
"Diagrams of Mind", Leopold Hoesch Museum, Duren, Germany; "Paper as Knowledge" exhibition catalog; curator’s statement
"Notes on the Distribution of Video Art", Mediamatic #2+3; Spring '89; Amsterdam
"India Time", Journal of the Commission on Visual Anthropology, 1989; Montreal
"Blanchot's The Writing of the Disaster", Art & Artists; Summer 1986, NY
"We Live In The Image /We Don't Want To Live In The Image", "Media Source" exhibition, Gallery of the Mpls College of Art & Design, 1984
CD-ROMs and DVDs
artintact3; "JCJ-Junkman", with essay by Erkki Huhtamo, ZKM Karlsruhe and Cantz Verlag, Karlsruhe 1996
Media Art History, Hans-Peter Schwarz, ZKM Media Museum, Karlsruhe 1997
Hardware Software Artware, ed. ZKM | Center for Art and Media Technology Karlsruhe and Cantz Verlag 1997
"Orpheus", limited edition, published by Ken Feingold, 1996
3rd Biennale de art contemporain de lyon ed. Prat, Raspail, Rey; exhibition catalog; Réunion des musées nationaux, Paris 1995
New Screen Media: Cinema/Art/Narrative ed. Martin Rieser and Andrea Zapp; British Film Institute, London 2001 (book and DVD)
updated July 2022