1952 born, Pittsburgh, Pennsylvania USA
1970-71 attended Antioch College, Yellow Springs, Ohio
1974 B.F.A. California Institute of the Arts, School of Art; Valencia CA
1976 M.F.A. California Institute of the Arts, School of Art; Valencia CA

lives in New York City

Exhibitions and Public Presentations / Selected Highlights

"2022 Cornell Biennial", Johnson Museum of Art, Cornell University, Ithaca, NY, July-Oct

"WEB-RETRO" at the SeMA, Buk Seoul Museum of Art, Jan-June

(id)ea,code++, algorithmic objects” at the Holon Institute of Technology, July-August

"Signal to Code”, Cornell University Library, March- October 2016

International Triennial of New Media Art”, National Art Museum of China, Beijing, June-July, 2014

“Ken Feingold: Figures of Speech: Stolen Voices”; Gdanska Galeria Miejska, Gdansk, May-July

Kiasma Hits”, Kiasma Museum of Contemporary Art, Helsinki; Sept 2013–Sept 2014

VIDA 1999-2012”, Espacio Fundación Telefónica, Madrid; May 2012-Jan 2013

Mediations Biennial”,
National Museum and “Zamek” Culture Centre, Poznań, Poland, Sept–Oct

”, ZKM | Media Museum, Karlsruhe, Oct 2009 through December
Voir/Revoir”, Centre Georges Pompidou, Paris, September

"Tangled Up in You", 21c Museum Foundation, Louisville; February-September
Beyond Stereotypes”, Neuer Aachener Kunstverein (NAK), Aachen; March–April
Lúdico-Mordaz”,MADC Museo de Arte y Diseño Contemporáneo, San Jose, Costa Rica; April-May

La Casa Encendida, Madrid; "Miradas Cruzadas: Cine y antropología"; October
Műscarnok /Kunsthalle, Budapest; "Kempelen - Man in the Machine" at Mar 24 - May 28
ZKM | Center for Art and Media, Karlsruhe "Kempelen - Man in the Machine" June 23 - Sep 2

Mejan Labs, Stockholm, “Ken Feingold” Nov – Dec
Museum of Modern Art, TOMORROWLAND: CalArts in Moving Pictures
Ace Gallery, Los Angeles, Kenneth Feingold: Survey (mid-career survey)


Ace Gallery, Los Angeles, Kenneth Feingold: Survey (mid-career survey)
National Museum of Art, Wroclaw, “The Other Book”, May 2005
ZKM Karlsruhe, "Masterpieces of Media Art from the ZKM Collection", through January 2007


Grossman Gallery, School of the Museum of Fine Arts, Boston; Sept 10 – Oct
Kiasma Museum of Contemporary Art, Helsinki; "Love Me or Leave Me"; April 2004 - Feb 2005

OÖ Landesmuseen Linz, "Reihe Video Kunst 'videophantastik' ", June 2004

Tate Liverpool, “Art, Lies, and Videotape: Exposing Performance”, Nov – Jan 2004
Ace Gallery, Los Angeles; “Invitational”

Tate Liverpool, “Art, Lies, and Videotape: Exposing Performance”, Nov – Jan 2004
Berkeley Art Museum, Pacific Film Archive, “Standby: No Technical Difficulties”; Dec
Postmasters Gallery, New York; “Hot Summer Cool”, June-July
Shrewsbury Museum and Art Gallery, Shropshire, UK; “BitParts”, March-April
Smart Project Space, “Smart Cinema”; Amsterdam; April

Whitney Museum of American Art, “2002 Biennial Exhibition”, Mar – May
Museo de Arte y Diseño Contemporáneo, “Contaminados”; San Jose, Costa Rica, April-May
Postmasters Gallery, New York; “Joy and Revolution”, June-July
Itaú Cultural, Sao Paulo,exposição emoção art.ficial, Aug - October
Seoul Museum of Art, “media city seoul 2002”, Sept – Nov
Corcoran Gallery of Art, Washington D.C, "Fantasy Underfoot", 47th Corcoran Biennial; Dec 2002 - March 2003

Postmasters Gallery, New York, solo exhibition, May - June
Wilhelm Lehmbruck Museum, Duisburg, “Under the Skin”, May-June
Neue Galerie Graz am Landesmuseum Joanneum, Graz
“In the Field of Letters. The Future of Literature”, Oct - Nov 2001
J. Paul Getty Museum, Los Angeles, “Devices of Wonder”, Nov 2001 – Feb 2002

Kiasma Museum of Contemporary Art, Helsinki; “Alien Intelligence”, Feb-May
Arsenal, Berlin; “The Skin of the Film”; June
Kapelica Gallery, Ljubljana; “Cyborg I”; June
MTN Art Institute, Johannesburg; “Urban Futures”; July
Beall Center for Art & Technology,UC Irvine; “SHIFT-CTRL: Computers, Games & Art” Oct-Dec
The Museum of Modern Art, NY; “Video Time”; Oct – Feb 2001

Postmasters Gallery, New York; solo exhibition; Feb-March

Goethe Institute Singapore; March
Museo Universitario Contempránero de Arte, Mexico; “Dark Room”, March-April
Lasipalatsi Film and Media Centre, Helsinki; April-May
Pacific Film Archive, Berkeley; September
ZKM Center for Art and Media, Karlsruhe, “net_condition”; Sept-Jan 2000

Kunsthalle Düsseldorf, “Glut/Fest” February
David Zwirner Gallery, New York, “Video Library”; March-April
Recontres Arts Electroniques, Rennes; April
ZKM Center for Art and Media, Karlsruhe, “SurroGate”, November-December
National Museum of Contemporary Art, Seoul, “Visual Extension - Fantasy and Reality” December 1998–Jan 1999

Museum of Modern Art, New York; “Technology in the Nineties” series; April
Wilhelm Lehmbruck Museum Duisburg, “Interact! Key Works of Interactive Art”, Ap-Jun
Documenta X, Documenta X, “Beware! In Playing the Phantom You Become One”, (a video library conceived by Herman Asselberghs and Johan Grimonprez, installed at the Centre Pompidou and at Documenta X),Kassel
Postmasters Gallery, New York, “Password Ferdydurke”, October-November
InterCommunication Center, Tokyo, “ICC Biennale ‘97”, October-December

Postmasters Gallery, New York, “Can You Digit?”, March-April
Centro de Cultura Contemporània de Barcelona, January
Goethe Institute, London, Oct-December
Artifices 4”; Saint-Denis, November-December
ZKM-Schaufenster, Karlsruhe, October

Biennale de Art Contemporain de Lyon; December 95-Feb 96
Guggenheim Soho Museum “Artists and the New Technologies”, October
Interactive Media Festival, Los Angeles, June
Mary Anthony Galleries, New York, "Synesthesia", March-May
Viper Festival, Lucerne, Switzerland, October

San Francisco Cinematheque, May
Interactive Media Festival, Los Angeles, June
Bonn Kunstverein; Bonn Videonalle, October
Cologne Art Fair, November
"People in Cyberspace", T-ARt Festival, Enschede, Netherlands, November


The Museum of Modern Art, NY; "Between Word and Image", April-May 93
Institut Valencia d’Art Modern (IVAM), Valencia, Spain; "Demontage: Film, Video / Appropriation, Recycling" March (travels Spain, Portugal, Holland)
WDR (national tv broadcast), Germany; "Ken Feingold's Un Chien Délicieux"
Gallery Puskinskaya 10-10, Saint Petersburg; American Avant-Garde Film and Video Programs; June 1993
International Center of Photography, NY; "Iterations"; October '93-Feb '94

Galerie René Coelho / MonteVideo; Amsterdam, March, solo exhibition
OTSO Gallery, Helsinki; Exhibition of the Interactive Art, April
ZKM Center for Art and Media, Karslruhe, Germany, May-June, "Bitte Berühren (Please Touch)"
Bonn Kunstverein, BonnVideonale (winner of Videonale-Preis for tape "Un Chien Délicieux")
Kunsthallen Brandts Klædefabrik, "Installations: Ken Feingold & Thiery Kuntzel"; Odense, Denmark
Berlin Video Festival, February

Simon Watson Gallery, NY, and The Rennaisance Socity, Chicago, "The Body"
Museum of Modern Art, NY; "Fact/Fiction"
Kunsthalle Dominikannerkirche, "European Media Art Festival", Osnabrück, Germany
Tibet Film Festival, "Tibet in Times Square" (video for Sony "Jumbotron" tv), NYC
L.A.C.E. Gallery, Los Angeles, "Perception/Misperception"

Stadtmuseum Graz, “Steirischer Herbst ‘91/ Körper & Körper”, Graz, Austria
Flaherty Film Seminar, Aurora, NY
Time Festival, Ghent

Image Forum, Tokyo; Festival of Experimental Film & Video, "The Work of Ken Feingold"
Nagoya City Art Museum, Nagoya, Japan "Ken Feingold", Retrospective video screening
Museum of Modern Art, NY; "Dream"
Museo Nacional de Bellas Artes, Buenos Aires; "Video Art Internacional"
Leopold Hoesch Museum, Duren, Germany; "Paper as Knowledge"
Visual Studies Workshop, “NO-TV & Movies”, Rochester, NY

Whitney Museum of American Art 1989 Biennial Exhibition (travels)
National Gallery of Canada
Whitney Museum of American Art, "Image World: Meta-Media"
The Kijkhuis, World Wide Video Festival, The Hague
American Museum of the Moving Image, NY, "Video as Language"
Museum of Modern Art, NY "Contemporary Art in Context"
The Asia Society, NY, "Installations"
Newport Harbor Art Museum, California "Skeptical Beliefs"
Fukui Fine Arts Museum, "International Biennale", Fukui, Japan
Long Beach Museum of Art, California
The Kitchen, New York
Artspace, Auckland
Wellington City Art Gallery, Wellington , NZ
Honolulu Academy of Arts, Honolulu
The Kijkhuis, World Wide Video Festival, The Hague

Centre Georges Pompidou, Paris; Tenth Anniversary Exhibition: "l'epoque, la mode, la morale, la passion"
The Institute of Contemporary Art, Boston
Aarhus Museum of Art, Aarhus Video Festival '87, Aarhus
Festival International du Nouveau Cinema et de la Video, Montreal
L.A.C.E. Gallery, Los Angeles
Robert Flaherty Festival, Aurora, NY
The Australian Video Festival, Paddington
Infermental IV, Cross-Cultural Television, Koln, travels
Renaissance Society, Skeptical Beliefs, Chicago
3rd International Biennial Video CD '87, Ljubljana
Filmer a Tout Prix, Brussels

Netherlands Theater Institute, Theater Tape Festival, Amsterdam
Stedelijk Museum, Amsterdam
L.A.C.E. Gallery, Los Angeles
The Kitchen, New York
The Kijkhuis, WorldWide Video Festival, The Hague
MonteVideo, Amsterdam
Videonale '86, Bonn
New Langton Arts, San Francisco

The New Museum of Contemporary Art, New York, "Signs"
The Museum of Modern Art, NY "Video Viewpoints: Ken Feingold"
The Whitney Museum 1985 Biennial Exhibition, NY
The American Center, Paris
Institute for Art and Urban Resources (P.S.1), NY
WGBH TV, Boston
1st International Video Week, Geneva
The American Film Institute, Fifth National Video Festival, Los Angeles
Institute of Contemporary Art, Boston
Medium West Gallery, Minneapolis
The Kijkhuis, World Wide Video Festival, The Hague
Visual Studies Workshop, Rochester, NY
School of the Art Institute of Chicago
L.A.C.E., Los Angeles
Eindhoven Museum, Eindhoven
MonteVideo, Amsterdam
Talking Back to the Media Festival, Amsterdam

Video Rio / Centro Cultural Candido Mendes, Rio de Janeiro
Museo Palazzo Fortuny, Venice
Galleria d'Arte Moderna, Bologna, "L'Immagine Elettronica"
The Institute of Contemporary Art, Boston
Long Beach Museum of Art, California
The Arsenal, Berlin
Berlin Film Festival
MonteVideo, Amsterdam
The Kitchen, New York

The Whitney Museum of American Art, Biennial Exhibition (travels)
Anthology Film Archives, New York
Walker Art Center, Minneapolis
The Kitchen, NY
Video Free America, San Francisco
L.A.C.E., Los Angeles
International Festival of New Cinema, Montreal

1974 - 1982 Highlights
San Francisco Art Institute; “The Hard Core”, 1982
Film in the Cities, St.Paul 1980
The American Center, Paris, “Recent American Video”, 1980
Hallwalls, “Installations/Plans”, May1980
University Art Museum, Berkeley, 1980
Whitney Museum, Solo Exhibition (Video Installation) 1979; films in exhibitions “Text and Image” 1975, and “Stills” 1976
Artists' Space, New York, Project Space Exhibition, 1979
Walker Art Center, Minneapolis, Retrospective Film Screening, 1978
Claire S. Copley Gallery, Los Angeles, Solo Exhibition 1975
The Kitchen, New York, 1977
Long Beach Museum of Art, "Southland Video Anthology", 1975
University of California, Irvine, Art Gallery, 1975
University of California, Santa Barbara, “Visual/Verbal”, 1975
Millennium, New York, Solo Film Exhibition, 1974

Fellowships / Grants/ Co-productions / Commissions
2010 Pollock-Krasner Foundation
2004 John Simon Guggenheim Memorial Foundation Fellowship
2003 Rockefeller Foundation Media Arts Fellowship
2002 FACT (Foundation for Art & Creative Technology), Liverpool
1999 Kiasma Museum of Contemporary Art, Helsinki
1998 Center for Art and Media Technology (ZKM) Karlsruhe and i3Net (The European Network for Intelligent Information Interfaces)
1997 ICC Biennale, Tokyo
1991 New York State Council on the Arts
1988 US/Japan Friendship Commission and NEA; Creative Artists Exchange Program
1988 National Endowment for the Arts
1988 New York Foundation for the Arts
1987 The Jerome Foundation
1987 The Checkerboard Foundation
1986 The Bush Foundation Fellowship for Artists, St. Paul
1986 Film in the Cities
1985 The Contemporary Art Television Fund; ICA, Boston
1985 New York State Council on the Arts
1984 The McKnight Foundation Fellowship for Artists
1982 The Andrew Mellon Foundation/ Minneapolis College of Art & Design
1981 National Endowment for the Arts
1981 Film in the Cities
1979 National Endowment for the Arts

2000 Fundación Telefónica; Vida 3.0 (Life 3.0), Madrid
1996 DNP Internet ‘97 Interactive Award; Dai Nippon Printing, Tokyo
1996 Prix Ars Electronica, honorable mention Interactive Art
1992 Videonale-Preis; Bonn Videonalle

Art Center, Pasadena
Bonn Kunstverein
Carnegie Mellon University
Centre Georges Pompidou, Paris
ETH Zurich
Hamburger Kunsthalle, Hamburg
Institute of Contemporary Art, Boston
Kiasma Museum of Contemporary Art, Helsinki
Kunst und Ausstellungshalle der Budesrepublik Deutschland, Bonn
Long Beach Museum of Art, Long Beach
McGill University Library
Minneapolis College of Art & Design Video Archive
Museo de Arte y Diseño Contemporáneo, San Jose, Costa Rica
Museo Palazzo Fortuny, Venice
The Museum of Modern Art, New York
Nagoya City Art Museum, Nagoya
National Gallery of Canada
National Library of Australia
New York Public Library
New York University, Bobst Library
Rotterdam Public Library
University of Alabama
University of Maryland
University of Stockholm Library
Zentrum für Kunst und Medientechnologie (ZKM), Karlsruhe

Teaching Experience
1977-85 Minneapolis College of Art & Design Associate Professor of Fine Art
1980/81 San Francisco Art Institute, Guest Faculty
1989-94 Princeton University, Visual Arts Program, Special Lecturer in Visual Art and Council on the Humanities
1990-91 Hunter College, Film and Theater Dept. Guest Associate Professor
1993-94  Cooper Union for the Advancement of Art and Science, School of Art; Adjunct Assoc. Professor
1993-1998 School of Visual Arts, New York, MFA Photography and MFA Computer Art Programs, Faculty

Visiting Artist talks, workshops, critiques at Harvard University, Brown University, Ithaca College, Art Center College of Art & Design, Cal Arts, Art Institute of Chicago, Columbia University, Bard College, The Royal University College of Fine Arts Stockholm

Monographs on the work of Ken Feingold
Ken Feingold: Figures of Speech. ed.Ryszard W. Kluszczyński, CSW Laznia, 2014
Ken Feingold Selected Works 1978 – 2007; essays by Matthew Biro, Ken Feingold, Erkki Huhtamo, David James, Robert Riley; Ken Feingold Studio, New York, 2012

Selected Bibliography on the Work of Ken Fengold
Technics Improvised: Activating Touch in Global Media Art, Timothy Conway Murray, University Of Minnesota Press, 2022
Digital Art, Aesthetic Creation; The Birth of a Medium, Paul Crowther; Routledge, 2019
Language Art in the Age of Panophonia MATLIT: Materialities of Literature, [S.l.], v. 6, n. 2, p. 87-98, aug. 2018. ISSN 2182-8830
Here/There: Telepresence, Touch, and Art at the Interface; Kris Paulsen, MIT Press, 2017
Emergence in Interactive Art; Jennifer Seevinck; Springer International Publishing, 2017
Interactive Digital Art, Penesta Dika, Logos Verlag Berlin, 2017
On-line/Off-line: Between Text and Experience: Writing as a Lifestyle; J. Pluciennik & P. Gardenfors (eds.), Jagiellonian University Press, 2016; "From an E-narrative Poem towards an Interactive Work of Art. Media Convergence Illustrated with DOWN by Zenon Fajfer and The Surprising Spiral by Ken Feingold", Bodzioch-Bryla, B.
History of Philosophy in Art, Kwang-rae Lee, Mimesis Co., 2016
Alternative Projections: Experimental Film in Los Angeles, 1945-1980, ed David James, Adam Hyman, John Libbey Publishing Ltd., 2015
Johns Hopkins Guide to Digital Media, M. Ryan, L. Emerson, B. Robertson, eds.; "Chatterbots", Ragnhild Tronstad; Johns Hopkings University Press, 2014
Channels of Ventriloquism in New Media Artworks, Victoria Bradbury, CITAR Journal, Vol 6, No.1, 2014
The Work of Authorship, ed. Mireille van Eechoud, Amsterdam University Press, 2014
Performing Beauty in Participatory Art and Culture, Heinrich Falk, Routledge 2014
A Theory of Adaptation, Linda Hutcheon, Routledge 2012
Digital Art and Meaning, Roberto Simanowski, Univ. of Minnesota Press, 2011
Interactive Storytelling, Ruth Aylett et al, Springer Science and Business Media 2011
Art + Science Now, Stephen Wilson,Thames and Hudson, 2010
Beyond Mediations, Ryszard W. Kluszczyński, “Zamek” Culture Centre Publications, 2010
Art Investigating Science: Critical Art as a Meta-discourse of Science, Maciej Ozog, in Cognition and Creativity: Digital Arts and Culture, University of California Irvine, 2009
Modes of Spectating, ed. Allison Oddey, Christine A. White, Intellect Ltd. 2009
Art and Electronic Media, Edward Shanken, Phaidon Press, London 2009
Sculpture Today, Judith Collins, Phaidon Press, London 2008
Media Art Histories, Oliver Grau, ed. (essay by Erkki Huhtamo), MIT Press 2007
Kempelen - Man in the Machine, M?scarnok /Kunsthalle, Budapest and ZKM, Karlsruhe 2007
New Philosophy for New Media, Hansen, Mark B.N.; MIT Press Cambridge 2004
Digital Currents: Art in the Electronic Age, Margot Lovejoy, Routledge, London/ New York 2004
Closed Circuit Videoinstallationen, Kacunko, Slavko; Logos Verlag Berlin 2004
Rakastaa, Ei Rakasta (Love Me or Leave Me), Sakari, M., others; Kiasma Museum of Contemporary Art, Helsinki 2004
Internet Art, Rachel Greene; Thames and Hudson, London 2004
Understanding Art, Lois Fichner-Rathus; Thomson Wadsworth, Belmont, CA 2004
Art, Lies, and Videotape : Exposing Performance, Adrian George, ed; Tate Liverpool 2003
Video Art, Michael Rush; Thames and Hudson, London 2003
Atomic Time: Pure Science and Seduction, Jonathan P. Binstock; Corcoran Gallery of Art, Washington D.C. October 2003
Digital Art, Christiane Paul; Thames and Hudson, London 2003
Affect as medium, or the 'digital-facial-image', Mark B.N. Hansen, Journal of Visual Culture, Vol.2 No.2 August 2003, London
The 47th Corcoran Biennial: Fantasy Underfoot, Jonathan P. Binstock, essay by Matthew Biro; Corcoran Gallery of Art, Washington D.C. December 2002
Screen Savers, Carly Berwick; Art News, September 2002
media city Seoul 2002, ed. Wonil Rhee, Seoul Museum of Art, Sept. 2002
Reviews: Whitney Biennial 2002, Michael Wilson; frieze, no.68 June/July/Aug 2002
Multiple Voice, Bob Nickas; Artforum, May 2002
A New York, Biennale Outre-Tours, Libération, Paris; 14 March 2002
Biennal I sargad stad, Norra Västerbotten, Skellefteå, Sweden; 13 March 2002
Gentech-Ästhetik, Sven Drühl, Kunstforum International, Jan-March 2002
Pasada en Limpio, Ana Tiscornia, Brecha (Uruguay) Nº 850- 15 March 2002
As American as Jambalaya: Whitney Biennial Displays the Variety That Defies National Stereotyping, Blake Gopnik, Washington Post Thursday, March 7, 2002
New Screen Media: Cinema/Art/Narrative, ed. Martin Rieser and Andrea Zapp; British Film Institute, London 2001 (book and DVD)
Information Arts: Intersections of Art, Science, Technology, S. Wilson, MIT Press, 2001
Devices of Wonder, B.M. Stafford and F. Terpak; Getty Research Institute, 2001
Unter der Haut, Claudia Posca; Kunstforum International, Band 155, Juni – Juli 2001
Under the Skin/ Unter der Haut, ed. R.Heidt-Heller; Hatje Cantz Verlag 2001
net_condition: art and global media, ed. P. Weibel and T. Druckrey; MIT Press 2001
Vida Artificial, R. Bosca and S. Caldana; Ciberpais (El Pais), Madrid, No. 8, Feb 2001
Presence, Absence, and Knowledge in Telerobotic Art, Machiko Kusahara, published in The Robot in the Garden, ed. Ken Goldberg, MIT Press, Cambridge 2000
New Media in Late 20th-Century Art, Michael Rush, Thames and Hudson, London 1999
Art in Review : Ken Feingold, Ken Johnson, New York Times; February 26, 1999
Art on Robotics, Toshiharu Itoh, InterCommunication 28, Tokyo; Spring 1999
Faux Documentary and the Memory of Realism, Allen Feldman, American Anthropologist, Vol. 100. No. 2, June 1998
Media Art History, Hans-Peter Schwarz; Center for Art and Media Technology (ZKM) Media Museum and Prestel, Karlsruhe 1997
Between Modernism and Conceptual Art, Robert C. Morgan, McFarland & Co., 1997
Graphis Web Design Now, Coupland, K.; Graphis Press, New York; 1997
Hardware Software Artware, ed. Center for Art and Media Technology (ZKM) Institut for Visual Media Karlsruhe and Cantz Verlag, 1997
ICC Biennale ‘97, exhibition catalog; NTT InterCommunication Center, Tokyo, 1997
Was is dat?, Christiane Fricke, Kunstforum International, no. 137, June-August 1997
Pionere Interaktiver Kunst, Söke Dinkla, Karlsruhe and Cantz Verlag, 1997
Interact! Schlüsselwerke Interaktiver Kunst, Söke Dinkla, Wilhelm Lehmbruck Museum Duisburg and Cantz Verlag, 1997
SurReal Time Interaction or How to Talk to a Dummy in a Magnetic Mirror?, Erkki Huhtamo, artintact3, Center for Art and Media Technology Karlsruhe (ZKM) and Cantz Verlag, 1996
Immersed in Technology: Art and Virtual Environments; ed. Mary Anne Moser; MIT Press, Cambridge 1996
Moving Images, Robert C. Morgan; Performing Arts Journal; 53,18.2, 1996
3rd Biennale de art contemporain de lyon; ed. Prat, Raspail, Rey; exhibition catalog; Réunion des musées nationaux, Paris 1995
Excavation Area: Ken Feingold, Erkki Huhtamo; Intercommunication 14, Tokyo; Aug 1995
Interactive Media Festival 1995; ed. Timothy Druckrey, Lisa Goldman; exhibition catalog, Los Angeles; June 1995
Galleries-Downtown: “Synaesthesia”, Gérard Nicolas, The New Yorker; 5.1.95
Synaesthesia, ed. Ronnie Cutrone and Mary Nykaza, Mary Anthony Galleries, NY, exhibition catalog, March 1995
Culture on the Brink, Bender and Druckrey, ed.s, M. Morse article "What do Cyborgs Eat?", Dia Art Foundation/ Bay Press, 1994
‘Echte’ of Virtuele Werkelijkheid, Ineke Schwartz, De Volkskrant, Amsterdam, 12.2.94
Pleased to Meet Me, Amy Taubin, Village Voice, New York, Aug. 16, 1994
The History of the Interface in Interactive Art, Söke Dinkla, “MediaScape”, Zagreb; 6.1994
Art and Technology: Iterations, A. Morgan, Art in America, April 1994
Iterations: The New Image, T. Druckrey, editor; Intl Cntr. Photography/ MIT Press, March 1994
Interaktivität stellt neue Herausforderungen an die Entwickler, Söke Dinkla, Horizont Nr.5/94; February 1994
Vom simulierten Dialog zur Simulation des Lebens, Söke Dinkla, Mediagramm, Karlsruhe; January 1994
Animal Identifications, Laura U. Marks; Parachute No.72, November 1993
Subversive Film Festival, Amos Vogel, Cineaste, Vol. XIX No.4, 1993
Interactive Art: Touching the 'Body in the Mind', Regina Cornwell, Discourse 14.2, 1992
Video Art, Piotor Krajewski, Kino, No.7, July 1992, Warsaw
Random Access, Söke Dinkla, MediaGramme; Karlsruhe, Germany, June 1992
New York in Review: "Ken Feingold: 'The Surprising Spiral'", Gretchen Faust, ARTS Magazine, 5.92
Ken Feingold and The Surprising Spiral, C. Ruffert, ARTIST, Bremen, Germany, May 1992
Bitte Behruren (Please Touch), Jeffrey Shaw, ed.; Center for Art and Media Technology, Institute for Visual Media, Karlsruhe, Germany, catalog, May 1992
Exhibition of the Interactive Art, Erkki Huhtamo, ed.; Museum of Contemporary Art / OTSO Gallery, Helsinki, catalog, 4.1992
The Surprising Spiral: Where Sand and Logic Don't Meet, Regina Cornwell; essay/artist's book, Galerie Rene Coelho, Amsterdam 1992
Making Strange, Amy Taubin, Village Voice, 2.18.92
Travel in Strange Worlds, Rainer Wilde, Neue Osnabrücker Zeitung, Sept 5.91, Osnabrück, Germany
Artbacteria Swarm on the Mediamile, Jurgen Klaus, NRZ, Germany
Computers Help Truth-Seekers, Dietrich Kuhlbrodt, Frankfurter Rundschau, Germany
En la Frontera Interactiva del Media Art, Erkki Huhtamo, El Guia, November 1991, Barcelona
Illuminating Video, Hall and Pfifer, eds; M. Morse article, 1991
A History of Video Installations, Nakajima Takashi, Image Forum Magazine, May 1990, Tokyo
Image World: Meta-Media, J. Hanhardt, L. Phillips, M. Heiferman, Whitney Museum Exhibition Catalog, November 1989-Jan 1990
1989 Biennial Exhibition, Whitney Museum Exhibition Catalog; Essay by John G. Hanhardt, NY
WorldWide Video Festival; Simon Biggs, Mediamatic, Dec 88, Amsterdam
Media Art in Review, Limbo Magazine No.2, Autumn 88, Tokyo
Reclamations, Simon Biggs; Mediamatic, Vol 2. No.2, Nov 87, Amsterdam
Dissonant Landscapes, Bob Riley, Institute of Contemporary Art Exhibition Catalog, Nov 87, Boston
Met installaties meer zintuigen inschakelen, Erik Quint, Haagsche Courant, 11 Sept 87, The Hague
Het Kijkhuis World Wide Video Festival Catalog; The Hague, Sept 87
Video Art: An Historical Sketch Christine Tamblyn, High Performance, Vol. 10 No.1, June 1987
l'epoque, la mode, la morale, la passion, Centre Georges Pompidou, Exhibition Catalog, May 1987, Paris
Videonale 86 Exhibition Catalog, Sept 86, Bonn
Het Kijkhuis World Wide Video Festival Catalog Sept 86, The Hague
Resolution: A Critique of Video Art, Exhibition Catalog,ed. Patti Podesta, including articles by A. Taubin, L. Relyea; Los Angeles Contemporary Exhibitions, May 1986, Los Angeles
Video: Ken Feingold, Michael Nash; High Performance, Vol9 No.1, May 1986, Los Angeles
Irony (The Abyss of Speech), Gary Reynolds, Vinyl (Minneapolis), 12.85
Talking Back to the Media, Festival Exhibition Catalog, Nov 85, Amsterdam
ICA Screenings show bridge between video art, television, Shawn McGivern, Boston Globe, Nov 15 85, Boston
Featured Screenings Catalog, American Film Institute, Sept 85, Los Angeles
Featured Screenings (Premieres of New Work), AFI National Video Festival; Corrine Kenner, L.A. Weekly, Sept.13, 1985
C.A.T. Fund: Video Art Catalyst?, Deborah Goldan, The Independent, July 85, New York
At the Whitney Biennial / Good Morning America, Charles Hagen, Artforum; Summer 85, New York
Art: "Signs" Exhibition at the New Museum, Michael Brenson, The New York Times, May 17, 1985, New York
Les Videos Extremes de Ken Feingold, Dorothee Lalane; Liberation, May 6, 1985, Paris
1985 Biennial Exhibition, Whitney Museum of American Art, Catalog
Video Works from the "Public Domain", Robert L. Pincus; Los Angeles Times, 2.3.85
Engaging Public Television, David James, Artweek, February 85, Los Angeles
Public Domain: 14 Video Artists Catalog, L.A.C.E., January 85, Los Angeles
Signal Approach, Christina Ritchie; The Funnel, Exhibition Catalog, Jan 85, Toronto
Mediated Narratives, Bob Riley, The Institute of Contemporary Art, Exhibition Catalog, November 1984, Boston
Second Video Rio Exhibition Catalog, Centro Cultural Mendes, Oct 84, Rio de Janeiro
The Whitney Biennial: Video, Amy Taubin; Millennium Film Journal #13, 1984, New York
The Electronic Gallery, Diane Hellekson; Minnesota Monthly, August 1984, Minneapolis
From TV to video e Dal video all TV, C. Borelli and A. Muntadas; Galleria d'arte moderna, Feb 84, Bologna
Prime Time: Ken Feingold, Bob Riley; Exhibition Catalog; Institute of Contemporary Art, Jan ‘84, Boston
Cuts and Sketches: "5dim/MIND" by Ken Feingold, Valerie Ellis, Afterimage, January 84, Rochester, NY
Rebel Rouser, J.Hoberman, The Village Voice, Oct 25, 1984, NY
Ken Feingold's "5dim/MIND" and "New Building Under the Water", Amy Taubin, The Kitchen, Oct 83, NY
A Whitney Sampler, Marita Sturken, Afterimage, Oct 83, Rochester
Head Hunting at L.A.C.E., David James, Artweek, Oct 83, Los Angeles
HEADHUNTERS Tim Martin and Patti Podesta, LACE Exhibition Catalog, Sept 83, LA
Museum Pieces: 1983 Whitney Biennial Video Section, Amy Taubin, The Village Voice, May 23, 1983, NY
1983 Biennial Exhibition, Whitney Museum of American Art, Catalog
Golden Age of Video Art, Pat Wadsley and Jill Kirschenbaum; CUE, Jan 18, 1980, New York
Six Films by Ken Feingold David James; Journal of the Los Angeles Institute of Contemporary Art; Number 14, April 1977

Selection of Published Writings by Ken Feingold: Bibliography
“The Sphinx on the Table: Sigmund Freud’s Art Collection and the Development of Psychoanalysis” by Janine Burke (Walker and Co. 2006), reviewed by Ken Feingold in Modern Psychoanalysis Vol 31, No. 2, 2006 pp.317-327
“The Interactive Art Gambit”, Technology in the Nineties/MoMA website: New York, April 1997; revised and updated in New Screen Media: Cinema/Art/Narrative; ed. Martin Rieser and Andrea Zapp; British Film Institute, London 2001 (book and DVD)
“where I can see my house from here so we are”, Parachute, no.85, Montreal, Jan 1997
“OU: Interactivity as Divination as Vending Machine”, Leonardo Vol 28. No.5, 1995
Interactive Media Festival 1995; ed. Timothy Druckrey, Lisa Goldman; exhibition catalog, Los Angeles;June 1995
"The Soft Accident", ISEA-Online (Internet publication), May 1994
"Childhood/ Hot & Cold Wars (The Appearance of Nature)", Iterations:The New Image, catalog essay, MIT Press and International Center of Photography, NY 1994
"The Magnetic Mirror", Cameraworks, Spring/Summer '93; San Francisco "Trouble in Truthsville", Felix, No.2; Spring '92; New York "Diagrams of Mind", Leopold Hoesch Museum, Duren, Germany; "Paper as Knowledge" exhibition catalog; curator’s statement
"Notes on the Distribution of Video Art", Mediamatic #2+3; Spring '89; Amsterdam
"India Time", Journal of the Commission on Visual Anthropology, 1989; Montreal
"Blanchot's The Writing of the Disaster", Art & Artists; Summer 1986, NY
"We Live In The Image /We Don't Want To Live In The Image", "Media Source" exhibition, Gallery of the Mpls College of Art & Design, 1984

CD-ROMs and DVDs
artintact3; "JCJ-Junkman", with essay by Erkki Huhtamo, ZKM Karlsruhe and Cantz Verlag, Karlsruhe 1996
Media Art History, Hans-Peter Schwarz, ZKM Media Museum, Karlsruhe 1997
Hardware Software Artware, ed. ZKM | Center for Art and Media Technology Karlsruhe and Cantz Verlag 1997
"Orpheus", limited edition, published by Ken Feingold, 1996
3rd Biennale de art contemporain de lyon ed. Prat, Raspail, Rey; exhibition catalog; Réunion des musées nationaux, Paris 1995
New Screen Media: Cinema/Art/Narrative ed. Martin Rieser and Andrea Zapp; British Film Institute, London 2001 (book and DVD)

updated July 2022